(EDITOR’S NOTE: The following transcript was recorded last night–Thursday, October 5th–and reproduced here, thanks to the miracle of the internet (thanks Al!), for your viewing pleasure. A shortened, edited version can be found on Nature.com.) While respectable folks are in Sweden, attending the real thing, I’m here at Harvard for the low-rent alternative, waiting for the Ig Nobel Prize Ceremony to begin. It’s the first Thursday in October, which is when the Igs are always held, and historic Sanders Theatre is packed–the anticipation, so thick, it could be cut with a scalpel by those two men in white labcoats, just before they cart you off to the looney bin. But I’m getting ahead of myself. Time for a deep breath.
Looking about the hall, as spitballs and paper airplanes fly through the air, I feel a bit sheepish amidst a crowd of innocents who have no idea what’s in store for them. This is the 16th Ig Nobel ceremony, and I hold the dubious distinction of having witnessed every single one–an attendance record perhaps only matched by the event’s organizer, Marc Abrahams, and his mother. I know it’s nothing to brag about. Maybe someday I’ll get a life. But until I do, I’ll sit back and enjoy the Igs.
7:26 Some people are dancing onstage to Franz Liszt, which is OK with me. But right now, I’ve got pencils to sharpen. This year, there’s no press kit with all the answers. No “cheat sheet.” This year, in other words, I’m going to have to earn it.
7:31 A Harvard official tells us about “new security regulations” regarding paper airplanes. But the crowd pays him no mind. As if to drive the point home, an airplane suddenly dive-bombs into my head.
7:35 Kees Moeliker, a 2003 Ig winner for reporting on the first case of homosexual necrophilia in the mallard duck, is at the podium with a woman, evidently his wife, saying he just got married. “And this is our honeymoon!” The crowd eats it up.
7:38-8:05 The Nobel laureates muster their courage and enter the lion’s den. They’re followed by the Ig Nobel laureates, the King and Queen of Swedish meatballs, and various “Ignitaries.” The theme of this year’s show is “Inertia,” which means that “Lawyers For and Against Intertia” will be parading by any minute now.
8:08 Finally, the first Ig Prize is presented in Ornithology for investigations into why woodpeckers don’t get headaches. Ivan Schwab of the University of California, Davis, accepts the prize donning a woodpecker headdress.
8:15 Kuwaiti researchers, Wasmia Al-Houty and Faten Al-Mussalam, receive the Nutrition Prize for showing that dung beetles are finicky eaters, preferring horse dung to the camel and sheep alternative.
8:20 There’s a noisy bunch of students behind me, chanting and heckling nonstop. I join in, shouting “Gerard Depardieu!” It feels liberating.
8:25 In his “24/7” lecture on dark matter and dark energy, Frank Wilczek of MIT sums up the universe in seven words: “What you see isn’t what you get.”
8:35 Daniel Oppenheimer of Princeton earns the Literature Prize for his paper on the needless use of long words. “Conciseness is interpreted as intelligence,” he notes in his acceptance speech. “So, thank you.”
8:42 University of Tennessee scholar Francis Fesmire, the first person to terminate hiccups through digital rectal massage, captures the Medicine Prize. He claims his son consoled him about winning an Ig Nobel Prize rather than a regular Nobel. “It’s like winning a Darwin,” the son told him, “and you don’t have to die.”
8:52 The crowd behind me keeps up the catcalls, shouting “intertia” at every turn. A born follower, I shout too. And when they throw things, I throw too. Sometimes their antics strike me as sophomoric. Then I realize they really are sophomores. So that’s their excuse, but what’s mine?
9:06 I must have dropped off. All the Ig laureates are in the middle of the stage with those other laureates for some kind of lovefest. The photographers go crazy.
9:11 Marc Abrahams calls it a night, setting off a mass exodus. I pack up my pencils and follow the herd.
9:17 Standing outside, as I unlock my bike, I reflect on what I’ve just seen and wonder what next year will bring. Will I be sitting in the peanut gallery once again, with the “Children of Paradise”? Or I will be onstage, front and center, pocketing my first Ig Nobel? I quietly prepare an acceptance speech, just in case.