GOOD NIGHT AND GOOD RIDDANCE ----- by Steve Nadis
"Capote" was a more intriguing film, but I have a similar complaint. There really wasn't any drama here either because the "action," such as it was, was almost all internalized--taking place behind the mask that Truman presented to the world. The most dramatic thing in the whole film was contained in a one-sentence epilogue that said Capote did not write another book after "In Cold Blood." That sentence had a lot of impact, which is more than I can say for the hour-and-three-quarters that preceded it.
Philip Seymour Hoffman was fine in the role of Capote, but it wasn't an Oscar-winning performance. He did a serviceable impersonation of Capote but didn't do much in the way of acting, mainly because he didn't have much of a script to work with. We never got to know the character he played, which made the performance ultimately unsatisfying. I would have much rather seen Heath Ledger and Joaquin Phoenix win for Best Actor because they actually played real flesh-and-blood characters--people who actually did something onscreen. But maybe I'm just old-fashioned.
Well, that's our show for this evening. Grab your popcorn and get the hell out. The balcony is closed.

